WRITING QUOTES XXII

quotations about writing

One forges one's style on the terrible anvil of daily deadlines.

EMILE ZOLA

Le Figaro


Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.

MARCEL PROUST

Within a Budding Grove

Tags: Marcel Proust


I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?

PATRICIA BRIGGS

interview, Bitten by Books, March 30, 2010

Tags: Patricia Briggs


The art of the word is painting + architecture + music.

YEVGENY ZAMYATIN

The New Russian Prose

Tags: Yevgeny Zamyatin


I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.

DAVID SEDARIS

Oasis Magazine, June 2008


A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.

JOHN LE CARRÉ

attributed, The Twilight and Other Zones

Tags: John le Carré


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


I couldn't imagine, and I don't say this with any pride, but I really couldn't imagine writing without a desperate deadline.

HUNTER S. THOMPSON

The Paris Review, fall 2000


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.

GRAHAM GREENE

The End of the Affair

Tags: Graham Greene


Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.

MARTIN AMIS

The Paris Review, spring 1998


My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.

NORMAN MAILER

The Paris Review, winter-spring 1964


All Writing Is Garbage. People who come out of nowhere to try to put into words any part of what goes on in their minds are pigs. The whole literary scene is a pigpen, especially today.

ANTONIN ARTAUD

Selected Writings

Tags: Antonin Artaud


I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.

PHILIP ROTH

Ghost Writer

Tags: Philip Roth


If I write novels in a country in which most citizens are illiterate, who then is my community?

CHINUA ACHEBE

Hopes and Impediments: Selected Essays


With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.

WOODY ALLEN

The Paris Review, fall 1995


Well, the secret to writing is writing. It's only a secret to people who don't want to hear it. Writing is how you be a writer.

URSULA K. LE GUIN

The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination

Tags: Ursula K. Le Guin


You must write according to your feelings, be sure those feelings are true, and let everything else go hang.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


Learn to write well, or not to write at all.

JOHN DRYDEN

Essay on Satire

Tags: John Dryden


Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.

NADINE GORDIMER

Nobel Lecture, December 7, 1991

Tags: Nadine Gordimer